Reggae IA — contretemps, basse en avant, riddims roots et one drop.
tempo moyen 90 BPM (de 48 à 168) · 112 titres · 6 instrumentaux · énergie moyenne 61 %
Les consignes réellement utilisées pour produire les 112 titres Reggae du catalogue, relevées sur les morceaux eux-mêmes.
A rootsy ragga track with driving reggae rhythm guitar and warm, syncopated bass lays the groove, Dynamic dub drums pulse while brass hits add power, Verses float over deep riddims, punctuated by rhythmic MC delivery, with call-response vocal layers and Afrobeat-inspired percussion intensifying into each chorus, Energetic breaks introduce balafon and talking drum for pan-African spice — 14 titres, dont « Roll it »dub, roots, 90s, vibes, original vide, Sound system, raggadub , reggae vibe, beat — 14 titres, dont « Frei »reggae francais, basse ronde tres en avant, guitare en accords secs sur les contretemps, orgue Hammond en bubble, batterie one drop, cuivres discrets, voix masculine francophone posee, reverbe a ressort, One drop classique a 74 BPM en la mineur. Intro de basse seule sur quatre mesures, la batterie pose le coup sur le troisieme temps, l orgue arrive en bubble. Cuivres seulement sur le refrain, en tenues longues. Forme couplet-refrain sur toute la piece, sans pont. Voix posee, presque parlee sur les couplets, chantee sur le refrain. Delai a ressort sur la caisse claire aux fins de phrase. — 9 titres, dont « La Meme Histoire »roots reggae, deep round bass line carrying the melody low in the mix, guitar skanking crisply on the offbeats with light spring reverb, Hammond organ playing the bubble pattern between the beats, one drop drum pattern with a heavy rimshot on the third beat, subtle horn section lines of trombone and tenor saxophone, spring reverb throws and tape delay on the snare, warm soulful male lead vocal with natural grain, harmony vocals answering the lead, analog 1970s Kingston studio warmth, unhurried steady tempo, no synths, no programmed drums, no distortion, the most dub-influenced track, heavy delay, stripped arrangement — 8 titres, dont « Neighbour's Radio »Raw Jamaican dub recorded at home on tape, heavy bass and loose one-drop drums stripped bare, every other instrument thrown in and out of the mix by hand, long tape delay echoes repeating on the snare, spring reverb crashes on the whole drum kit, melodica melody floating in and out, dub siren sweeps, short fragments of toasted Jamaican patois vocals repeated and drowned in echo, analogue tape saturation and hiss, audible mixing desk noise and hand-ridden faders, mostly instrumental with very sparse voice, heavy and slow, lo-fi and dirty, no digital polish, no synths, no click track — 8 titres, dont « Melodica Inna Di Fog »Raw Jamaican roots reggae recorded at home on tape, one-drop drums played loose and slightly behind the beat, deep heavy bass guitar carrying the melody, bubbling organ shuffle, skanking guitar upstroke on the offbeat, dub siren sweeps, analogue tape saturation and hiss, spring reverb crashes, cheap microphone at a distance with room noise, deep male voice toasting in Jamaican patois with a rough worn delivery, occasional group backing vocals slightly out of tune, mixed live on an old desk with sudden echo throws, lo-fi and dirty, no digital polish, no synths, no click track — 8 titres, dont « Yard Tape »Raw Jamaican dancehall recorded at home, hard digital riddim played on an old drum machine slightly out of time, deep booming bassline, sparse stabs of cheap organ and horn, dub siren and sound effects, deep male voice DJing in Jamaican patois fast and rough over the riddim, crowd noise and shouting in the background like a street dance, analogue tape saturation, cheap microphone clipping on the loud words, mixed live with sudden drop-outs, energetic and rough, lo-fi and dirty, no digital polish, no click track — 8 titres, dont « Forward Again »Raw Jamaican roots reggae recorded at home on tape, slow heavy one-drop drums, deep rolling bass, mournful horn section slightly out of tune, bubbling organ, nyabinghi hand drums on some tracks, deep weathered male voice singing and toasting in Jamaican patois with an old man's delivery and cracks in it, group singing on the choruses, analogue tape saturation and hiss, spring reverb, room sound of a small house, slow and heavy and solemn, lo-fi and dirty, no digital polish, no synths, no click track — 8 titres, dont « Every Sound Man Dead Broke »