House IA — beats 4/4, basses groovy, mélodies dansantes. Mix communautaire 24/7.
tempo moyen 124 BPM (de 82 à 138) · 67 titres · 47 instrumentaux · énergie moyenne 72 %
Les consignes réellement utilisées pour produire les 67 titres House du catalogue, relevées sur les morceaux eux-mêmes.
progressive house, soaring melodic lead, 128 BPM, festival mainstage energy, massive build-ups and euphoric drops, punch — 19 titres, dont « Northern Shores »big room house, 128 BPM, festival mainstage energy, massive build-ups and euphoric drops, punchy sidechained kick, wide — 8 titres, dont « Hidden Mornings »future rave, dark driving synth stabs, hypnotic arpeggio, 126 BPM, festival mainstage energy, massive build-ups and euph — 6 titres, dont « Northern Lanterns »future rave, 126 BPM, festival mainstage energy, massive build-ups and euphoric drops, punchy sidechained kick, wide ste — 4 titres, dont « Pale Mornings »big room house, massive supersaw drops, snare-roll build-ups, 128 BPM, crowd, live,, festival mainstage energy, massive — 3 titres, dont « Second Letters »Thudding swung kick and a mic-bleed snare land with a round upright-style analog bass and a chopped, looped piano chord, all on beat one, cold open, no build. Off-grid lo-fi house, 138 BPM, sampled piano stab as the lead voice, sampler crunch and live-room bleed, minor key, raw and hips-first. Groove runs from bar one, filtered dropout at 2:00, rebuild, climax at 4:00, loop-out ending. Plucked analog arpeggio enters at the first breakdown and stays to the end; no Juno string pad on this track; tape hiss woven low under the drums. Fully instrumental, all melody from sampler and synths. Cassette warmth with wow and flutter, tape saturation, wide stereo, long slap and plate delays, unquantized human feel. No vocals, no vocal samples, no spoken word, no trap hi-hats, no pad or arpeggio intro. — 1 titre, dont « Treize spectateurs »Four-on-the-floor kick and tight closed hi-hats alone for two bars, dry and punchy, then analog bass drops under them. Peak-time progressive house, 124 BPM, monophonic analog saw lead with heavy portamento as main voice, clean club mix with light tape saturation and wide stereo hats, minor key. Long four-minute build, first drop at 2:10, breakdown at 3:30, bigger second drop, loop-only outro. Juno-106 string pad swells in at the breakdown around 1:30, plucked analog arpeggio only after the first drop, tape hiss under everything. Fully instrumental, melody carried by synths alone. Cassette warmth, slight wow and flutter, long plate and slap delay, unquantized feel. No vocals, no vocal samples, no spoken word, no trap hi-hats, no distorted guitars, no pad or arpeggio intro. — 1 titre, dont « Le direct commence »Field recording of traffic hissing past on wet asphalt for six seconds, then a single low bowed upright bass note swelling up out of it. Cinematic deep house, 90 BPM, bowed upright bass with slow swelling bow as the main instrument, cathedral-wide reverb, long decays, deep stereo night air, minor key. Juno-106 string pad opens the arrangement proper at 0:20 and carries the whole track, plucked arpeggio enters at 3:10, tape hiss low in the mix. Bass pulse established, theme transposed up on each return, drums enter at 2:30, no drop, long plateau. Fully instrumental, synthesizers hold every melody. Cassette warmth, wow and flutter, tape saturation, long plate delay, unquantized feel. No vocals, no vocal samples, no spoken word, no orchestral strings, no aggressive drums. — 1 titre, dont « Trois heures du matin, A7 »