Folk IA — guitare, voix, récit. Des chansons qui racontent, générées par la communauté.
tempo moyen 101 BPM (de 60 à 168) · 130 titres · 39 instrumentaux · énergie moyenne 46 %
Les consignes réellement utilisées pour produire les 130 titres Folk du catalogue, relevées sur les morceaux eux-mêmes.
Quebecois folk, steel-string acoustic guitar in open tuning played fingerstyle and strummed, fiddle carrying reels and slow airs, foot percussion podorythmie keeping the pulse, button accordion on some choruses, upright bass underneath, banjo or mandolin colouring, warm male voice singing in French with a natural Quebec accent and clear diction, group singing on the choruses like a kitchen party, live acoustic recording with room sound and audible foot tapping, mix of driving reels and slow ballads, no drums kit, no synths, no distortion, driving strummed opening, fiddle entering on the chorus, foot percussion throughout — 9 titres, dont « Le Lac Gele »Italian cantautore folk, fingerpicked nylon-string guitar arpeggios, accordion playing long sustained countermelodies, upright bass played with fingers, mandolin doubling the melody on the chorus, brushed drums very far back in the mix, warm baritone male voice singing in Italian with clear diction and natural vibrato, sparse arrangement leaving room for the words, light string section only on the final chorus, warm acoustic room recording, moderate unhurried tempos, no distorted guitar, no synths, no heavy drums, solo guitar opening, accordion entering on the second verse, strings at the end — 9 titres, dont « Ritorno »Quebecois traditional kitchen party music, fiddle leading reels and rigodons at a driving pace, diatonic button accordion answering, spoons and foot percussion podorythmie hammering the beat on a wooden floor, steel-string acoustic guitar strumming hard, upright bass walking, occasional turlutte mouth-reel, warm male voice singing in French with a strong natural Quebec accent, whole room answering the chorus in rough unison like a call-and-response kitchen party, live acoustic recording with room sound, laughter and stomping audible, fast and joyful, no drum kit, no synths, no distortion — 9 titres, dont « Dernier Verre Avant Le Jour »Quebecois maritime folk, diatonic button accordion leading the melody, steel-string acoustic guitar strummed open, harmonica holding the long notes, upright bass underneath, bodhran and hand percussion keeping a walking pulse, fiddle colouring the refrains, warm male voice singing in French with a natural Quebec accent and clear diction, men singing together in unison on the choruses like a wharf song, live acoustic recording with room sound, mid-tempo walking songs and slow laments, no drum kit, no synths, no distortion — 9 titres, dont « Anticosti »Greek island folk, lead violin with ornamented island phrasing, laouto strumming the drone accompaniment, Cretan lyra on some tracks, tambourine and toubeleki hand drum, no bass guitar, bright male voice in Greek, outdoor live feel, Syrtos a 4 temps, 128 BPM en re majeur. Violon seul en introduction ornementee, puis le laouto entre en battement continu et le tambourin marque. Forme en distiques alternes avec des reprises instrumentales. Le violon ne s arrete jamais de tout le morceau. — 9 titres, dont « Xanarchomaste »deutsche Liedermacher-Musik, Stahlsaitengitarre im Fingerstil, Kontrabass, gelegentliches Klavier und Mundharmonika, sehr sparsames Schlagzeug mit Besen, warme maennliche Stimme mit klarer Aussprache, trockene Raumaufnahme, Langsam bei 66 BPM in C-Dur. Nur Gitarre und Stimme in den ersten zwei Strophen. Ein Klavier kommt in der Mitte dazu, einzelne hohe Toene. Kein Schlagzeug, kein Bass. Eine einzige Steigerung ganz am Ende. Letzter Akkord bleibt stehen. — 9 titres, dont « Zwischen Zwei Zuegen »Norwegian traditional folk, hardanger fiddle with sympathetic strings droning, langeleik zither, jew harp, sparse frame drum, kulning herding calls on some tracks, clear male voice in Norwegian, modal melodies, very natural outdoor-feeling recording, Sakte, 64 BPM i mollmodus. Hardingfela alene i forste minutt, med dronestrengene tydelige. Langeleik kommer inn etterpa. Ingen perkusjon. Stemmen kommer sent. Fire korte vers. Slutter pa fela alene. — 9 titres, dont « Ljos Att »celtic instrumental, tin whistle, fiddle, bodhran drum, misty highlands, 100 BPM — 4 titres, dont « Pale Light »